I know birds sing, and why
Because they fly, it's so fine
Who should know better than they
Who really try
Back there you hear
Far-flung euphoria falls from before your ears
Burr that don't mumble sits dark on the mountains
It makes a blind spot night
Very near you heard
Fifteen horn from two miles away like snowfall
Born to rear the greatest weight: Anticipation
Leaders and ledgers may someday pen
An open ear
The call will burn your eyes
Cross-tracks town the sounds glorious
Sunspots follow twists and turn
Foresights blind
Very near you heard Fifteen horn from two miles away like snowfall Born to rear the greatest weight: Anticipation Leaders and ledgers may someday pen An open ear
Intro: ||: A5, FM7/A :|| Verse: | D Bm | G G9 | D Bm | G G9 | C D | D Bm | C D | D G | Chorus: ||: CM7 | G :||: A5 | % -- :|| or ||: CM7 | G :||: A5 | F |
Oh, so this is our station We know where to go What lies beyond temptation I trust you already know
I won't let you down I'm a fool for most any whim If you jump I'll fall It’s easy
Down Take me down You can take me down Take me all the way down Down!
It's simple when it's pure I can give you everything you ask for If I drop my guard It should be easy
Down...
Stay and miss your flight Cast away all reason No need to resist Take it easy
This is the first of many song lyrics pages I'm publishing. I'll do it in dribs and drabs, so don't hold your breath. Eventually they'll end up on my master list of compositions.
||: D G D G D G Bb :|| E Bb E
Verse and chorus chords are the same; they just change at a different rate.
So, today is another day
How to wake when woke seems broken
Oh, day is breaking
How much to make when broke means taking
Gonna live my live alive... and love
Gonna live my live alive... and love
Oh, season’s changing
Evening cries, rising tides
No, no denying
Kindness is what we find
It's why we try
Billy talks about a classic book, Light in August, by William Faulkner. An American masterpiece, really. Racism and sexism and ignorance and hate fit together seamlessly. Why?
This is genuine literature, so it's demanding, but also a page-turner.
While he watches her with that despair of all men in the
presence of female tears, she begins to cry. She sits upright, the child at her
breast, crying, not loud and not hard, but with a patient and hopeless abjectness,
not hiding her face. “And you worry me about if I said No or not and I already
said No and you worry me and worry me and now he is already gone. I will never
see him again.” And he sits there, and she bows her head at last, and he rises
and stands over her with his hand on her bowed head, thinking Thank God, God
help me. Thank God, God help me.